Pro tools reverb plugins

From subtle, short reverb to huge atmospheric, ethereal, and ambient textures with long decay, this plugin has a wide variety of uses for reviving familiar reverb sounds. Here's more details from their press release…. There are a few more carefully chosen controls for creatively crafting reverb sounds still further: DAMP AMT simulates the amount of absorption of higher frequencies by reflective surfaces and allows for darkening or brightening of the reverb tails; DAMP FREQ provides a frequency choice from 0.

The decay rate EQ allows you to fine tune the decay rate across the frequency spectrum, which is great for subtle fine tuning of reverb tails or creating wild, unnatural sounding reverbs. Lastly, the post EQ enables you to sculpt the overall tonality of your reverb. Get weird with this one. VintageVerb comes with 18 different reverb algorithms that include chambers, rooms, plates and more. It offers a lot of control over the different elements of your reverb, but because the user interface is so intuitively designed and clearly laid out, it never feels overwhelming or crowded.

Think of the additional level of musicality, depth and feeling that can be added by performing simple fader rides, and then consider that you can do the same by automating plugin parameters. VintageVerb has so many controls that lend themselves to be used in this manner.

Map the parameters to your controller of choice in your DAW and have fun! I can dial in a thick, musical reverb sound in mere seconds using Little Plate. The decay knob goes to infinity. Utilize it. Send a sound through Little Plate, preferably a single note or chord — otherwise the sound will get overly dense and dissonant pretty quickly. Use this never-ending reverb tail however you see fit. Automate it, process it, print it, chop it, whatever. If you need to make your sounds seem as if they are in halls, rooms, chambers, clubs, stadiums, cars, trains, boats or as if they are being run through plate, spring or digital reverb units, Altiverb comes loaded with impulse responses for these and more.

Combine impulse responses. This plugin is definitely best suited for non-percussive and soft-attack sounds like vocals, piano and pad sounds. For such a simple-looking plugin, OldSkoolVerb is surprisingly versatile.

Some of the reverb features include:. Here are the best January deals in Click here for the full list. Recently, Valhalla released Super Massive, a gorgeous-sounding, powerful free reverb plugin. Valhalla are a renowned plugin company best-known for their insanely high-quality reverb and delay tools. Super Massive is no different, and it can be used to create huge, spacious, evolving reverb tails.

The MODE control is the most powerful Supermassive control, as the different algorithms have very different attack, sustain, and decay characteristics. The easiest way of thinking about it again is the tunnel example, the sound of a shout in a small tunnel will be very different to that of a larger sized tunnel as the time taken for it to reach the edges is different, this is the equivalent of the pre-delay value.

Usually, you will want some degree of pre-delay as the listener would hear the direct sound before the reverberant field. Frequency Manipulation : An often overlooked consideration when working with reverb are the frequencies which will be present within the reverberant sound. If you have a high-frequency dominant instrument with a reverb applied, these frequencies will of course be dominant in the reverberant sound which has the potential to mix and slur other instruments that are within the same range, we therefore need to filter the reverberant sound to help it sit more comfortably within the mix.

The hi-frequency cut slider will allow you to set a frequency cut-off to make higher frequencies less dominant after the direct sound. The low pass filter sets the frequency value above which a 6dB per octave filter will cutoff the reverberant signal. The two filters work together to shape the sound of the reverb you are applying, you should tweak both until you feel that you can comfortably hear the reverberant effect while making sure that it is not obstructing the sound of any other instruments within your mix.

Algorithms : There are a number of algorithms that we skipped past earlier in the tutorial, these are almost like starting pre-set values for you to work from and I believe it is best to actually understand what is being tweaked before delving into these to avoid the temptation of simply putting up with a set value, hence why we have left these until last.

You will have the option of seven space algorithms digitally recreated environments within the D-verb plug-in, while the names will be familiar, lets first talk about what sonic effect you should expect from each of them.

Hall : This represents a general concert hall with a natural sounding character, perhaps useful on flowing orchestral sounds to sit in the background of your mix.